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Erin Moure

“What may the dictionary insist?”: Archiving _Pillage Laud_

“Clear speech be damned, it’s part of the logos of The Same that shuts us out, us women” – Erin Mouré Continuing my work in the feminist avant-garde, and in my last section on feminist poetics, I would like to turn to the work of Canadian poet Erin Mouré, whose poetry, much like that of […]

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Susan Howe

Language VOL II: _Eikon Basilike_ and the Lyric Subject

For my final plateau, I would like to revisit Eikon Basilike’s relationship to subjectivity, having now made it through the six plateaus of this section. I realize at this point that my earliest observations about Howe’s complex relationship to subjectivity ignore one important element of this text: that it patently refuses to withdraw its subjectivity, […]

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Appendices Juliana Spahr

Twine: Making These Plateaus Hypertextual

I am currently experimenting with Twine. Here is my first attempt at doctoring the sentences of a plateau from this site into a Twine game. I am really interested in seeing how you are finding the way that these sections work as a my intricate hypertext interplay!

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Susan Howe

The Immateriality of the Common in _Eikon Basilike_

As I have asserted throughout my project, any discussion of the role of the reader in a text is first and foremost a discussion of the role of the author and how s/he must be destabilized in order to leave from for a readership. And, I have shown that this discussion has clear roots in […]

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Susan Howe

BEholding Mimesis: _Eikon Basilike_ as Concrete

As my gesture towards Cixous at the close of my last plateau suggests, I am also particularly concerned with embodiment in Eikon Basilike. Issues of materiality and embodiment in this work have by no means been critically ignored; it would seem that nearly every critical study of it over the last decade or so has […]

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Susan Howe

Hauntological Spectres in _Eikon Basilike_

As the end of my last plateau suggests, I am particularly interested in the persistent images of ghosts, specters, and hauntings throughout Susan Howe’s work, and in Eikon Basilike in particular. Reading through the criticism surrounding Howe, it would seem that I am not alone. Kathleen Crown, for example, says Howe’s authorship functions as though […]