Footnotes: Introduction

1. This humanism is perhaps most evident in anarcho-syndicalists following in the tradition of Max Stirner, or the staunch individualism of William Godwin, and, much later, Emma Goldman. It is also clearly evident in the deference to human nature of anarchists like Pierre-Joseph Proudhon. But, elements of a primal humanism are still present even inContinue reading “Footnotes: Introduction”

Appendix(n): A Treatise on the Dissertation Form

As a digital, hypertextual project, my dissertation is made up of twelve sections (you are approaching the end of the first, there will be one more for each primary author). Each section is approximately twenty-five to thirty print-pages, and each shares three primary concerns: how is authorship contrived, complicated, or restricted? how is the commonalityContinue reading “Appendix(n): A Treatise on the Dissertation Form”

What Does a Postanarchist Literary Theory Look Like?: Hypertext

To account for both the aesthetic and political anarchism of experimental form, and to attempt to recreate the common through engagement with reader, writer, and critic, my dissertation itself takes on an experimental form, which I will touch on briefly now, but will explain in greater detail in my treatise on the dissertation form atContinue reading “What Does a Postanarchist Literary Theory Look Like?: Hypertext”

What Does a Postanarchist Literary Theory Look Like?: The Crisis of Representation

What becomes clear at this point is that the core of an anarchist (and, to that same end, a postanarchist) literary theory is a critique of representation. It is not surprising, then, that the only scholar who explicitly attempts to develop an anarchist literary theory, Jesse Cohn, focuses precisely on this concern. His book-length studyContinue reading “What Does a Postanarchist Literary Theory Look Like?: The Crisis of Representation”

Anarchism and the Experiment: “Poetry is radically communal”

The concept of language as a part of the common is one shared, implicitly, by all the poets in my project, in some form or another, but it is articulated most clearly and explicitly in Duncan’s work. For example, in a late poetic series, Dante Études, he writes: Go, my songs, then in zealous liberality,Continue reading “Anarchism and the Experiment: “Poetry is radically communal””

Anarchism and the Experiment: How do we read the illegible?

To work against the relatively[i] conservative scholarship of Perloff, my project employs, perhaps contentiously, the work of Craig Dworkin, who often works closely with, and pays homage to, Perloff. To be sure, Perloff’s extensive bibliography has done its part to bring radically experimental poetry to the forefront of poetic study in the last twenty years.Continue reading “Anarchism and the Experiment: How do we read the illegible?”

Anarchism and the Experiment: Who is the author?

Because I have privileged authorship (and its destabilization) as the most important aspect of the experimental poetic text, I should here spend some time discussing what experimental authorship entails, and how its problematizing of traditional authorship is a politically-charged activism. As with any contemporary discussion of shifting perspectives of authorship, this discussion begins with theContinue reading “Anarchism and the Experiment: Who is the author?”

Anarchism and the Experiment: What is an experimental poem?

It is important at this juncture to define the parameters of the experimental poem for my work. I have opted for the term “experimental”[i] over the term “avant-garde”[ii] for a number of reasons, not the least of which is the military connotation of the latter. I also employ Graeber’s skepticism of vanguardism, which is, IContinue reading “Anarchism and the Experiment: What is an experimental poem?”

Appendix(n): A Note on “Terrorism”

I realise that in 2013 in North America, I write about terrorism in a vastly different political climate than the one in which Bey wrote in 1985. I am also acutely aware that my use of the term is not without political motivation or desire for controversy. Following the attacks of September 11th, 2001, theContinue reading “Appendix(n): A Note on “Terrorism””

What is Postanarchism?: Hakim Bey and “Poetic Terrorism”

In 1985, when Bey published The Temporary Autonomous Zone; Ontological Anarchy; Poetic Terrorism, he did so, at least in part, out of frustration with an anarchist-activist movement that had stalled, suffering from the aforementioned unidimensional and unidirectional approach that failed to account for a society in which we must understand power as diffuse and pervasive.Continue reading “What is Postanarchism?: Hakim Bey and “Poetic Terrorism””